Chris Fenwick has been kicking out the FCPX podcasts on a regular basis. The 100th episode was an opportunity to do something different.
Timbrée or How to Use Stamps to Build a Story
Timbrée or How to Use Stamps to Build a Story
In Love with Final Cut Pro
This will be a story that is familiar to many. Joaquin has progressed from a very early…
In Love with Final Cut Pro
evrExpanse 3 Adds Features for EXIF Metadata XML Import into Final Cut Pro
An app that adds camera EXIF metadata to files imported into Final Cut Pro has just had a…
evrExpanse 3 Adds Features for EXIF Metadata XML Import into Final Cut Pro
BRAW Toolbox and Gyroflow Toolbox
Everyone’s favourite mad genius Chris Hocking has been hard at work recently, and if you…
BRAW Toolbox and Gyroflow Toolbox
User Stories
Time-lapse: A Ten Hour Edit in Ten Minutes
Adam Schoales has a regular job every year of putting together a short 'highlights' film of the last night of the Toronto International Film Festival. This year, he thought he would do a screen capture of the 10 hour Final Cut Pro X edit process - and then…
Time-lapse: A Ten Hour Edit in Ten Minutes
1 Year, 30,000 km - On the road with FCPX Part 3 - Social Media Challenge
In the last of three parts of this detailed and informative Final Cut Pro X user story,…
1 Year, 30,000 km - On the road with FCPX Part 3 - Social Media Challenge
Editing an Indie Feature-doc While in a Bus Through Iran
Yes, I admit it, the title is kind of clickbait. But it is true, I did work a lot on the…
Editing an Indie Feature-doc While in a Bus Through Iran
Moving a 34 Angle Multicam Music Show From Premiere Pro to Final Cut Pro X for Editing and Then Moving It Back
When given the task of cutting a 34 angle multicam music show in Premiere Pro, Shahin…
Moving a 34 Angle Multicam Music Show From Premiere Pro to Final Cut Pro X for Editing and Then Moving It Back
Easier, Faster, Cost-Effective, But Never "Cheap": How To Build Out A Successful Media Business In Difficult Economic Times By Embracing Simpler Workflows and New Technologies
The Final Cut Pro X success stories keep on coming. This time we look at Norway's largest…
Easier, Faster, Cost-Effective, But Never "Cheap": How To Build Out A Successful Media Business In Difficult Economic Times By Embracing Simpler Workflows and New Technologies
The Digital Nomad - Alexander Fedorov & M1 MacBook Pro
Have you ever wanted to follow your passion by traveling the world as a digital content…
The Digital Nomad - Alexander Fedorov & M1 MacBook Pro
In-Depth Tutorials
Let Your Fingers Do the Wandering - Using the Trackpad with FCPX
When we saw John Matthews' comments on social media about using an Apple Trackpad and Final Cut Pro X, we had to know more. He's very kindly put together his findings on the Trackpad in words and a couple of great video demos.
Apple Motion's Custom Behavior — The Diamond in the Rough
Fox Mahoney has published some excellent Motion tutorials here on FCP.co. This time, he really takes the tools in Motion to a new level with this experiment in building custom behaviors. We learnt a lot.
Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke
XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and…
We built a pool! Publishing animating Motion textures to Final Cut Pro X
Want moving textures in Final Cut Pro X? Plugin building expert Fox Mahoney shows us how to construct a moving water texture in Motion and publish it to FCPX. Great knowledge that will extend the capabilities of 3D text even further. Link to the free finished moving water texture generator plugin…
Controlling shapes: The mysteries of OSC in Final Cut Pro X revealed, Part 2
If you ever want to build an adjustable line or shape in Motion for use in Final Cut Pro, there is only one way to get the On Screen Controls to work. In the second part of the series on OSCs, our resident Motion expert, Fox Mahoney shows us how to control shapes in plugins for FCPX. He's also very…
Big Sur & Apple Silicon
Experienced Diver, Rookie Editor with the M1 MacBook Pro and Final Cut Pro
Rookie ALERT! Having been blessed with the good fortune to be lent a MacBook Pro M1 laptop running Final Cut Pro, I was very excited to try it out.
Experienced Diver, Rookie Editor with the M1 MacBook Pro and Final Cut Pro
Final Cut Pro Editing Kit for YouTube
Professor Simon Holland runs through the editing kit he uses making videos for his…
Final Cut Pro Editing Kit for YouTube
To the M3 Mac Pro and Beyond: Alex Gollner on the Whole Apple Silicon Transition
The biggest Apple news of 2020 was the start of the transition of the Mac to Apple…
To the M3 Mac Pro and Beyond: Alex Gollner on the Whole Apple Silicon Transition
Apple Releases the New MacOS - Big Sur
No surprise here as Apple said in its event on Monday that Thursday was going to be Big…
Apple Releases the New MacOS - Big Sur
WWDC 2020 - Is It the Start of the Move to Arm-based Processors?
Where were you this time last year? We were waiting to go into WWDC to see the new Mac…
WWDC 2020 - Is It the Start of the Move to Arm-based Processors?
Apple: How the Mac Studio Was Built for the New Generation of Creative Pros
We sat down with Xander Soren, Director of Product Marketing, Pro Apps, Tom Boger, Vice…
Apple: How the Mac Studio Was Built for the New Generation of Creative Pros
I Replaced My $10,000 iMac Pro with a Base Model 24" M1 iMac for Video Editing!
Is it a good idea swapping out an expensive iMac Pro for a new base model M1 iMac? Luke…
I Replaced My $10,000 iMac Pro with a Base Model 24" M1 iMac for Video Editing!
Mobile Creator
The Stunt Double - Shot Vertically on an iPhone by Academy Award® Winner Damien Chazelle
Hot on the heels of the iPhone shot The Princess Bride, Apple has entered the non-landscape video publishing market with 'The Stunt Double' a vertical video from Academy Award® winning director Damien Chazelle. Well worth a watch. Vertically of course.
The Stunt Double - Shot Vertically on an iPhone by Academy Award® Winner Damien Chazelle
FCP.co Live Show 13 - WWDC & Final Cut Pro X on Arm-based Processors
In Live Show 13 we talked about WWDC and what that means for the Pro Apps (including…
FCP.co Live Show 13 - WWDC & Final Cut Pro X on Arm-based Processors
Post Production Beginner’s Mind
As Final Cut Pro X lets beginners cut high quality media from the moment they open the…
Post Production Beginner’s Mind
WWDC 2021- macOS Monterey, No New Macs
Apple gave an hour and fifty minute presentation to kick of the 2021 World Wide…
WWDC 2021- macOS Monterey, No New Macs
iOS 15.1 Now Supports ProRes on iPhone 13 Pro
The 15.1 update has brought ProRes recording to the native Camera app on the iPhone13 Pro.
iOS 15.1 Now Supports ProRes on iPhone 13 Pro
How to Fix Blown Out iPhone 12 Footage - Dolby Vision HDR Editing in FCP
You can't just drop iPhone 12 footage into a REC 709 project in Final Cut Pro, Serge M…
How to Fix Blown Out iPhone 12 Footage - Dolby Vision HDR Editing in FCP
