We have mentioned this worthy project before as you can see from the article below. However Michael Horton from the LACPUG has sent us some more information about their goal to fund and install their new projector.
You would have thought that using any of the free Apple media such as music loops supplied with the Pro Applications, wouldn't raise any copyright issues. Wrong. A cautionary tale from Alex Snelling and a drumbeat that YouTube didn't like.
A great FCPX user story from Thomas Grove Carter. This time he shows us how the new Honda commercial got the diptych treatment in Final Cut Pro X.
A wonderful short film from Chris Mckechnie about a boy wanting to become a park ranger for a day at Yosemite. Shot on 2 RED Epics (one of them mounted on a Movi) and all edited in Final Cut Pro X.
Twenty five minutes of advice from Zack Arnold that could literally save your life. You also get to find out what a burpee is. (No, we hadn't a clue either.)
Inspired, that's how we feel on a dull Thursday morning. Why? Well that's because we have discovered Mrs Williford's lessons & tutorials on FCPX at Hendrickson High School in Texas. Welcome to the future
In a word, cameras. Lots of them. A couple of other headlines, some interesting monitors and a copy of FCPX on the very 'Resolve & Eyeon heavy' stand. Keep reading as Resolve gets improved integration with Final Cut Pro X.
The exhibition isn't even open yet and there are already headlines being written. New cameras, Blackmagic Design gets their cheque book out again, 4K everywhere and a very interesting piece of FCPX news that we are tracking down.
It got moved to a new time to help us on this side of the pond, but still some people managed to miss it! Good job Pixel Corps has published the whole two hours online.
UPDATE NVIDIA card problem fixed
We saw the plugin pop up on Twitter last week, but didn't really take any notice until an FCP.co forum member posted an example online and we checked out out the price.
If you work in broadcast then you will be very familiar to having to keep an eye on video levels. Nobody loves a rejected master. Eyejeight has just announced the availability of a plugin legaliser to make sure your whites aren't too white.
A short headline, but one that will have an immense impact on the broadcast and post production industry across the world. The BBC has chosen Final Cut Pro X as its NLE for news editing, but this is the tip of the iceberg as the move to FCPX is spreading fast across other departments.