The new captions feature in the recent FCPX 10.4.1 update is certainly creating a lot of interest. A new version of SpeedScriber, the automated transcription app now lets editors export transcribed text into iTT format for import as captions in Final Cut Pro X. Speedscriber 2 also supports five new languages.
The news from NAB about FCPX keeps on coming. Pond5 has just announced an app that works with Final Cut Pro X enabling you to edit with watermarked previews and then automatically replace the media on the timeline with high resolution footage.
Apple announced last week that all three of their Pro Video Apps would be available for update this Monday. You will need High Sierra to see them, but they are now all available on the Mac App Store.
Hot on the heels of their recent notification of over 150 new features for their video review and approval service update that will arrive in the Summer, Frame.io has just announced 'Watch folders for macOS'. This allows the high sped transfer of files such as dailies though a MacOS menubar app.
A few days before the 2018 Academy Awards, we published an article about the crowd-funded British short movie "The Silent Child", written by Rachel Shenton and directed by Chris Overton, that had been nominated for an Oscar.
The movie won, which was an incredible achievement considering that Rachel had never written a script before, Chris had never directed a movie before, the movie was produced with close to no budget, and it was cut with Final Cut Pro X by an editor who had never edited a narrative movie before and who actually learned FCP X on this job.
Apple has announced that updates of Final Cut Pro X to 10.4.1, Motion to 5.4.1 and Compressor to 4.4.1 will be available as free upgrades on Monday April 9th 2018.
Two big new features for FCPX are Closed Captions and the ability to use the new ProRes RAW codecs.
Apple also announced that 2017 was FCPX's best year with over 500,000 new seats being sold, bringing the total tally of seats sold to over 2.5 million since launch.
The Final Cut Pro X success stories keep on coming. This time we look at Norway's largest newspaper VG, whose TV arm switched to FCPX enabling them to expand their online media production.
With a production crew of 400 people, a cast of 200 actors and over 2000 extras, hundreds of hours of raw footage shot by several crews on 130 locations, 9 months of editing and 10 months of VFX work, Alberto Rodríguez’ and Rafael Cobos' 12.3 million dollar television series “La Peste” (The Plague) is the flagship original drama production of Movistar+, the largest VoD provider in Spain and part of media giant Téléfonica.
Idustrial Revolution has just released a new set of plugins for building a glossy animating slideshow. They are on special offer at $39 for the launch, down from $49.
Right from the launch, we have always been a big fan of Frame.io, the online video review and commenting service. For NAB 2018, they are previewing a new version with over 150 improvements.
Heading to NAB in Las Vegas and want to know where all the Final Cut Pro X action is taking place? Sam Mestman has put this guide together so you'll know when and where to be to get the best from your trip.
Do you remember Apple's 10.4 presentation from the LACPUG? Afterwards three of the filmmakers from the Apple Short Film Project got to present and talk about their entry. Sam Mestman takes a look behind the scenes of the productions with the finished films and recorded presentations from that night.
Tight turnarounds are not new in television, but in feature film production, being able to see a first cut within hours of the end of shooting is nothing but remarkable. Robin Moran explains how Final Cut Pro X gave filmmaker Ismail Basbeth and his team the speed and thus the 'creative room' to perfect his production.