Adobe has today announced a new cross platform NLE called Project Rush. Whist we welcome all new tools, it does look very similar to an old friend!
We have reviewed a QNAP desktop shared storage NAS before on FCP.co. This time we look at the TS-453BT3 4 disk unit from QNAP with 10GigE and Thunderbolt 3.
If you have been following the progress of "Off the Tracks", the documentary film about the birth of Final Cut Pro X, you will be interested in hearing from the film's producer, Brad Olsen. He takes us through 2 years of hard work on the film, from the initial idea up to the imminent premiere at LACPUG.
Want to look into the future of editing? Well, you can with this 20 minute demo of Lumberjack Builder from Philip Hodgetts. Watch how he creates an edit by dragging and dropping parts of transcripts together from interviews. Very clever. There's also the offer a free month of Lumberjack too!
Need to integrate FCPX with Adobe's After Effects? Chris Fenwick runs through his workflow when using the two apps together and gives us some great tips in the process.
We have done very little HDR to date at FCP.co towers, well to be honest, none. However, we do know somebody who has edited in HDR in Final Cut Pro X. Marc Bach gets us up to speed quickly with his recommendations about grading within the new extended dynamic range.
Time for another presentation from the Faster Together stage at NAB 2018. This time Steve Martin takes to the stage to run through his favourite FCPX tips. Learn how to use Secondary Storylines, Gap Clips, Audio Roles and much more to your advantage.
Next up in the series of presentations from the Faster Together stage at NAB is Josh Beal. He thinks it is time for Hollywood to reconsider Final Cut Pro X as a viable editing platform.
If there is one person who knows about colour correction in FCPX it is Denver Riddle. He's published a free 12 minute crash course designed to show the new colour wheels and curves in 10.4.
The week before NAB 2018, Apple announced a new version of Final Cut Pro X with support for closed captions, and the brand new ProRes RAW codec. In the announcement, Atomos and DJI were listed as the first two companies to support capture of the ProRes RAW codec. In the first of the video presentations from the Faster Together stage at NAB, Jeromy Young debuts ProRes RAW.
We are always having to cut or extend music to the right length, always a lot of foot tapping, marker placing and nibbling frames away to get the perfect result. What if there was an easier and more flexible way? FCP Audio has an interesting range of music products that uses 'Soundstacks' that build music in sections.