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Sorenson Media release Sorenson Squeeze 8 and Squeeze 8 Lite

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Sorenson have launched two new versions of Squeeze, their cross-platform compression program. If Compressor 4 hasn't enough output formats and codecs, then this might be your answer.

With the move away from physical programme output such as tape to file based delivery and publishing of media online, the reformatting and transcoding of video is becoming more and more important. Sorenson have released two new versions of Squeeze the popular video encoding and transcoding application, both are version 8.

Sorenson Squeeze 8 Lite is new, it retails for $199 and in their words:

"Available for the first time, Sorenson Squeeze 8 Lite enables the rapidly expanding market of web developers, videographers and other content creators who are focused primarily on online publishing to cost-effectively encode and transcode in the most popular video formats, including Flash FLV, Flash SWF, MPEG-4, QuickTime, Windows Media, WMA, WebM and others. This streamlined version of the software enables single file encoding to the highest standards with the ability to still use popular settings and filters available in Sorenson Squeeze.

Sorenson Squeeze 8 Lite brings the power of Squeeze encoding to a larger population of users at a significantly reduced price. As video consumption continues to grow exponentially online and across a multitude of mobile devices, we recognize there is a growing segment of users who want and need the ability to easily publish the highest-quality video online, but who do not need the full features an enterprise or broadcast professional might need. Quality is credibility, and Squeeze 8 Lite gives more users the ability to fully engage viewers and deliver the best possible online video experience.”

This will be of interest to FCP7 and FCPX users who not only have to supply deliverables for Mac savvy clients, buy those who want Flash and Windows Media versions for example too.

Sorenson Squeeze 8 has also been updated with new features although this version seems to be aimed at larger post houses or broadcasters. 

· New Seamless Squeeze Server Integration with Squeeze 8 Enables Multiple Users to Simultaneously Offload Encoding to Separate Servers, Streamline High-Volume Workflows
· Squeeze 8 Now Includes Full Adaptive Bitrate Encoding, Increased GPU Acceleration·
· New x264 Support Allows Squeeze 8 Users to Optimize, Customize Parameters of H.264 Encoding to Their Needs

Crikey! we didn't even realise that there was such a thing a x264!

“Sorenson Squeeze 8 packs more punch than ever, in two versions with significantly reduced prices. It truly expands our tradition of innovation leadership in the encoding and transcoding arena – and of anticipating and meeting the needs of every type of user, from the individual to the enterprise,” said Randon Morford, Squeeze product manager for Sorenson Media. “The full product’s integration with Squeeze Server moves the most painful and time consuming encoding tasks to a separate server, freeing up the productive capability of the computer and allowing users to focus on more strategic tasks, while our x264 optimization tools provide greater control than ever over all the key encoding parameters of H.264.”

Sorenson Squeeze 8 has an intro price of $599. Both versions can be downloaded from their website.


Written by
Top Blogger Thought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

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2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

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Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

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BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

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Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

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Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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