Over the last week we have seen a few videos that we have featured here on FCP.co pulled from the two big video sites. Removed for different reasons, but users should remember you are broadcasting to the world.

It might seem an obvious statement, but things have moved on since people went to YouTube for cat videos and cola bottles exploding. If you upload your videos then don't be surprised if they get viewed! The sites are not repositories for your work in progress, they are platforms for you to get your productions seen by as many people as possible in as many countries as possible.

Flat screen TV's now have remote controls that can flick onto these sites with one button press, the once clear distinction between traditional broadcasting and viewing online is getting muddier by the day

We have no problem with Cris and his 16,000 clips in FCPX because he removed the videos as he said they weren't really ready for mass consumption. We do have a problem with people appearing on a panel discussion that is clearly being filmed, giving out previously unheard information rumour based or not and then complaining when people watch it online.

We have even had one video removed because the demonstrator showing off FCPX didn't have the copyright clearance needed to show the material!

So what are we trying to say here?

1) Don't publish anything to YouTube or Vimeo you don't want other people to see. Yes you can protect videos with passwords on Vimeo and hidden links on YouTube.

2) Don't say anything on camera that you haven't first hand knowledge of being true. We are not lawyers here, but a date stamped video of somebody saying something they shoudn't have is pretty damming evidence.

3) Make sure anything you show onscreen or audio that you play has been cleared for copyright. Large film companies look at this website too, we've had the email!

It all might seem very obvious listed out here but people's TV watching habbits are changing. More people will watch clips online and although that has fantastic possibilities, you have to handle the power with care. Oh, and no more cat videos please.

Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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