Is it our misguided impression, or are there more cracking tutorials out there for Final Cut Pro X than any other NLE? True or not, we thought we would list some good ones from the last few days.
On another note as well, we have seen a huge surge in videos uploaded to sharing sites with the FCPX tag attached. Not an accurate dipstick of NLE usage, but it is interesting to see how far ranging across topics FCPX has become.
Back to the tutorials and let's start off with this seven minute look at consolidation within FCPX 10.1.2. Dustin Hoye made this short tutorial to help his staff when sharing projects but published the video to help others. If his name rings a bell, Dustin wrote one of the first articles about using FCPX in a broadcast environment, which is still a great read!
Using FCPX on Long Format Broadcast Productions
Ever had a corrupt or missing frame in a sequence or timelapse for example? Christoph Malin has come up with a solution to the problem - using Optical Flow to correct corrupt frames.
This set us thinking, rather than use timlapses, this could be used as a morph transition between stills in FCPX. Just a word of warning, before everybody rushes out to build a morphing plugin such as 'PROMORPH' (sorry), Motion won't let you do it. We have tried and we have cried!
Finally, how could we leave out Steve Martin. Episode three of his series Final Cut Pro X in under 10 minutes looks at how to remove unwanted sound with surgical precision.
I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.
I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.
Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.
I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!
Current Editing
2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.
BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.
Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.
As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.
Plugin Design & Development
I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.
I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.
FCP.co
Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook.
The Future
I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!
