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Building the ultimate Final Cut Pro X system

macbreak fcpx-system

Slightly later in the week than normal and the victim of a false start (which has been fixed!) Steve and Mark set out to build their ultimate Final Cut Pro X system based on the new Mac Pro.

The new Mac Pro is pretty amazing and we will have a new article posted on FCP.co very soon about our extended findings of living with the Mac Pro for a month.

But what would you buy if you wanted the ultimate FCPX system? In this new episode of MacBreak Studio, Steve Martin and Mark Spencer set out to build a 'money no object' collection of peripherals to join the Mac Pro in one hell of an edit setup.

As you can see the total bill for the system adds up to $15,000, probably more when you have to add on proper audio monitoring and HDSDI connectivity if you are using the Mac Pro in a broadcast environment. That's not a huge amount of cash when you consider how much HD kit costs such as VT machines.

Here's a list of the kit used:

Apple Mac Pro 8-Core AMD Dual FirePro D700 32GB RAM

Apple 27" Thunderbolt Display

Promise Technology Pegasus2 R8 24TB RAID

Sharp PN-K321 32" Edge LED LCD Monitor


All super cool and maybe you should lock your credit card away for today! Many tun ask to Steve and Mark, we look forward to the rest of the series where they will be looking at the setup in more depth.



Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.


BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.


Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!


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