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FCPX 1.0 "It will not be ready for professional use" says Larry Jordan

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What? At the recent meeting of the Los Angeles Final Cut Pro User Group, FCP guru Larry said exactly that on stage. The four videos after the break are well worth a watch if you are going to be buying FCPX next week.

There we were watching the videos when Larry came out and said that version 1.0 of Final Cut Pro X will not be ready for professional use. Wow what a statement, we were almost in tears! Our new baby is about to be born and you're already calling it ugly! Sure, any first version of software ships with the paint still wet, but why won't it be ready for professional use? Are features missing? Will it keep crashing? Will there be an update soon after launch?

Michael Horton at the top of video one says that no new information will be disclosed in the discussion. We disagree, Larry gives us a good insight into how Apple are targeting FCPX to users.

Well worth taking your time to watch. The comment from Larry about 'not being ready for professional use' and 'not ready for primetime' happen in the first two minutes of part three. Larry will be a guest speaker at the London SuperMeet on thursday June 23rd.

We think we should clarify a few things here as a couple of people have got a bit hot under the collar on Twitter. The headline is not our words, it is a direct quotation from Larry. It is not used out of context, in fact we think it is worse IN context.

"Whenever you've got something which is that big a re-write, stuff gets changed, stuff gets left out, stuff gets added later because they can't get it all re-written and I guarantee you that on day one when the dot zero release ships it will not be ready for professional use.
Apple has a very poor track record of perfect dot zero releases. So for those of you saying 'This is without a question the second coming, I'm going to bet the ranch, I'm buying this the day it's released and God help me I'm plunging forward whether it's ready or not.' I want your clients.
I think there is only one company on the planet that could rethink non-linear editing like this, I think it's Apple. It's not ready for prime time. First it's not ready because it isn't shipping, then when it is shipping it's time for us to experiment."

So please don't shoot the messenger. We are reserving our opinion until we actually have a copy and will probably use it on professional jobs but have copy of FCP7 handy.

***Update Larry has changed his opinion***
Larry has backtracked on his comments somewhat these paragraphs are taken from his blog "Wiping Egg off My Face"

"While I stand by most of my remarks, there was one unfortunate moment where I said, with a special dramatic emphasis for the crowd, that Final Cut Pro X was not ready for professional use.
I believed that then. I don’t believe it now.
When I made that presentation to the LAFCPUG, it was the week after NAB; a week after Apple presented the new version of Final Cut to the world. When I watched that presentation, I was watching it through the prism of my experience with Final Cut Pro 7 and all I knew about the application was what Apple showed on stage in their demo."

I think if we learn anything from this it is the fact that if we were under the NDA, then we wouldn't go round giving lectures on what to expect in software that the NDA covers. 

Part one

                              

 

 

Part two


 

Part three

 

Part four

Phew we are still in shock!


Written by
Top BloggerThought Leader

I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago.

I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs.

Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years.

I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Though I haven't yet tried to herd a flock of sheep through the city centre!

Current Editing

great house giveaway 2020

2020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I also designed and built the majority of the graphics as Motion templates. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. The shows have also been nominated for a 2021 BAFTA.

Tour de france 2020
Although both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.

 

BBC snooker the crucible

BBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. This is currently an Adobe Premiere edit.

amazon kindle BF

Covid cancelled some of the regular corporate events that I edit such as trade shows & events. I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.

As for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop.

Plugin Design & Development

I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. It hosts a range of commercial and free plugins on the site. One free plugin was downloaded over a thousand times within 24 hours of release.

I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability.

FCP.co

Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. 

The Future

I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co. I've judged film competitions, presented workflow techniques to international audiences and come up with ideas for TV shows and software programs!

 

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