We all know FCPX now has colour wheels and curves, but what about doing more advanced colour corrections? How about a plugin that can track masks, use ACES colour spaces and add film grain? Oliver Peters takes a look a the new Colour Finale 2.

It is one of the most asked questions on forums: "How do I get a film look?"  Oliver Peters can answer that, he's put together his tips on how to emulate emulsion in an NLE. 

If you are going to the BVE Show this week, then you will one of the first to see a couple of exciting new tools for FCPX. Codex will be previewing two new colour correction products on their stand.

We've reported here before on the news of the Color Finale 2.1 update. It has now been released and available for download: so Oliver Peters took it for a test drive in Final Cut Pro X.

Five years on from the launch of Color Finale for Final Cut Pro X, we have the announcement of the upcoming V2.1 update.

Want to colour grade remotely with a client or colorist in Final Cut Pro X? Now you can with the popular Color Finale 2 Pro plugin running with the new Color Finale Connect workflow extension.

The use of creative LUTs has exploded over the last few years. One company that you might not have heard of was there at the start, Picture Instruments. They've got a new FCPX plugin that allows the mixing of up to 5 LUTs in the Inspector. 

With a production crew of 400 people, a cast of 200 actors and over 2000 extras, hundreds of hours of raw footage shot by several crews on 130 locations, 9 months of editing and 10 months of VFX work, Alberto Rodríguez’ and Rafael Cobos' 12.3 million dollar television series “La Peste” (The Plague) is the flagship original drama production of Movistar+, the largest VoD provider in Spain and part of media giant Téléfonica.

Color correction plug-ins are certainly fun to use, but Final Cut Pro X has plenty of horsepower on its own. There are also a number of features and techniques that often get overlooked. Here are five simple tricks you can use to enhance the look of your videos.

Do you remember Apple's 10.4 presentation from the LACPUG? Afterwards three of the filmmakers from the Apple Short Film Project got to present and talk about their entry. Sam Mestman takes a look behind the scenes of the productions with the finished films and recorded presentations from that night.

If you use Lightroom or Photoshop, then you are probably aware of Loupedeck, a custom control surface for image editing. Now those buttons & wheels can directly control FCPX.

What is the quickest way to create heavily graded footage in Final Cut Pro X but protect skin tones ? We think we might have found the answer with Picture Instrument's new $47 plugin called Warping Wheels. 

The artificial intelligence based colour grading system Colorlab Ai certainly looks like it could transform the grading process. Colorlab AI advisor and investor Steve Bayes explains why he became involved and how this technology should eventually become available to Final Cut Pro X users.

Pro Color Monitor is a new standalone app that allows an editor to use false colour in a video or photo editing application. The false colour shows which way the color correction controls should be adjusted to remove casts for a perfect white balance.

If there is one person who knows about colour correction in FCPX it is Denver Riddle. He's published a free 12 minute crash course designed to show the new colour wheels and curves in 10.4.