This time Rick covers scratch disks, isolating a colour and that old problem of losing your image because you've gone into wireframe mode. yeup we've all been confused by that one once.
I feel a bit of a theme coming on here. 'Tutorial Tuesday' ok, maybe not, but we do have tutorials stacked up like planes coming in to land at Heathrow on a friday night. First up is Izzy with his amazing 7 hour collection.
We wish we hadn't seen this video. It gives us another reason to want to rush out and buy a new 2.2 GHz Intel Core i7 MacBook Pro, if Thunderbolt wasn't enough! We will post the rendering speed results after the break, but I urge you to watch one of the most elegant bench tests going.
It started off as a few posts on Twitter about the Change Speed Segment feature. It grew into a bigger conversation to whether speedramps are latest effect that ranks number one on the list of tacky 'eye candy' editing techniques. Are we right or wrong?
Whoa! This guy shoots from the hip. Of course I didn't mean with his camera on a brand new Zacuto waist rig, I meant he doesn't mince his words when it comes to the 5D. He does sum up the passion for this Japanese 'accident' rather well though.
There are lots of tutorials out there on YouTube but a lot seem to go over the same stuff. So it is nice when you come across original content, well presented and with links. Wes James has posted this rather cool playing card flip tutorial with video on the back. Links to the media after the break. (Oh for high quality YouTube poster frames!)
Shooting 3D with two Canon 5D MkIIs? Apparently it was difficult to achieve because of the GenLock problem, but not for Damian Steck when he produced his Eyes Wide Open film in pin sharp stereoscopic 3D. Pin sharp that is if you're wearing your 3D specs for this anaglyph version. More after the break including news about the Holga.
We love FCP, but there are times when you will have to go to another NLE. Not something that we like to contemplate too much but its fact. We've recently seen the bridging to Avid, but how does FCP work with Premiere Pro? More after the break.