It's not very glamorous, but backing up and archiving is essential to not only make sure you can return to a project at a later date, but also to free up space and move media to another drive. The new ARC-X app for FCPX does exactly that with a host of other features to make getting a project back from an archive easy.
As FCPX users we are not used to subscriptions for creative software. Oliver Peters takes a look at the new $40 Pixelmator Pro and sizes it up as a candidate to replace the monthly billed Photoshop.
How can you speed up your edits? If you have a lot of dialogue in your production, one way is to use transcription. Jake Carvey details his FCPX workflow on his recent Habitat for Humanity project.
We all know FCPX now has colour wheels and curves, but what about doing more advanced colour corrections? How about a plugin that can track masks, use ACES colour spaces and add film grain? Oliver Peters takes a look a the new Colour Finale 2.
Ronny Courtens was lucky enough to spend some time again with James Tonkin from Hangman Studios. James has had a new Mac Pro & Pro Display XDR in his studio for the last month and Ronny asked James about his experience working on real-life projects with the new machine.
It has been a busy day for news. First of all we have the Mac Pro release, then the Colour Finale 2 update and of course our YouTube live show. Now Apple has released FCPX 10.4.8 and macOS Catalina 10.15.2. And yes the 16 inch MacBook Pro clicks have gone!
We welcome FCPX stalwart Bill Davis to FCP.co. He tell us about his first week with the new 16 inch MacBook Pro. How did he migrate his data? What did he lose? Did he get any audio clicking?