There are going to be many people using FCP7 for a long time after FCPX gets released, so it's nice to see new 'Classic FCP' tutorials being posted. These two tutorials from Nick Horrox detail how to achieve that much desired film look.
We think publishing FCP7 tutorials is a bit like straightening the deckchairs on the Titanic, useful for a while. Good solid knowledge about keyboard customisation, layouts and buttons though.
There are built in tools for tracking within Final Cut Studio, but there are times when you need something a bit more powerful. Just watch this fast demo of Mocha AE working with FCP to put images onto an iPhone screen.
Every Final Cut Pro editor has come across this problem, background noise behind an interview. Hiss, hum, machinery, it can all make hearing those important words difficult. This can be exacerbated if you want to run music underneath or if you are cutting in and out of the interview and can 'hear' the edits. This tutorial shows how round-tripping via Soundtrack Pro can remove that unwanted background noise.
Some of the best Final Cut Pro tips are very simple and this is one of them. Especially handy for color correcting weddings or any project where skin tone color accuracy is vital.
There are plugins out there for 3D editing, but they are expensive even with the latest price cuts by GoPro. If you have FCP and After Effects and you're on a budget then this workflow is for you. Part two of the video and the finshed result after the break.
A post FCPX sneak peak Larry Jordan tutorial. Larry shows us the basics of making different sized versions by exporting from the timeline and then using Compressor.
We noticed on the recent FCPX sneak peak video or screen grabs that one of the 'stock' effects was a 'Day to Night' filter. This set off a conversation with another editor about the best way to get the same look in FCP7
With all the articles about FCPX floating about the internet, it is nice to get back to the craft of what we do. Oliver Peters does exactly that with this informative article on color grading.
Well according to FCP Towers, my article on the subject above had some good hits/tweets so I thought it might be interesting to write an update after digesting the FCP Sneek Peek.
Some kinetic typography gives clear advice on how your scratch disk works in Final Cut Pro. Short but to the point and rather cool too. Video after the break.