Time for the last instalment in this reference series of articles for filmmakers. Part five is all about collaboration with colour, VFX and audio departments. We finish with how to deliver your film for theatrical release & display.
Continuing our look at Final Cut Pro X for Premiere editors, Chris Roberts takes a look at the different editing techniques you can employ. There are some big changes and Chris gives you the information you need to know to get up to speed.
On to part four of this masterclass in filmmaking and it's a bumper issue! Sam Mestman and Patrick Southern this time talk about group workflows and finishing. As always, lots of info and great tips. Possibly a two cups of coffee article.
Here at FCP.co, we are all too familiar with the advantages of a Final Cut Pro X workflow. But, as FCP X becomes more widely used throughout the production industry, we thought we’d dedicate a little space to helping those familiar with other NLEs get to grips with our favourite editing platform. We asked Chris Roberts (who’s both an Apple Certified Trainer and Adobe Certified Instructor) to help Premiere Pro editors draw parallels with FCP X.
Time for part three of Sam Mestman and Patrick Southern's very popular series on the workflow, techniques and tips needed in getting a 5K feature made, from shooting, right through to distribution. This time it is all about editing in FCPX and they also include a rundown of essential third-party tools.
XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all.
Following on from Dylan Higginbotham's very successful Fantastic Beasts and Rogue One movie title recreations in Final Cut Pro X, he's back with great tutorial. This time he builds the Assassin's Creed movie title in FCPX.
The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template!
The recent FCPX 'focused' meeting of the Los Angeles Creative Pro User Group was a sell-out. Even the waiting list had to be closed! One of the highlights was a detailed presentation of how Final Cut Pro X works with a narrative workflow.
It gets a bit annoying when the title of your Final Cut Pro X export doesn't match your Project name when it comes to exporting. Why does this happen in FCPX and how can you fix it?
Dylan Higginbotham, owner of Stupid Raisins created a magical Fantastic Beasts FCPX tutorial and free template. See how the power of 3D text in Final Cut Pro X can get a professional result very close to the Hollywood original.
Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores...