Tony Davies puts into words what a lot of us editors and producers have been thinking for a while. Final Cut Pro is a great tool, but its ease of use has caused a lot of problems within the industry too.
It seems that everybody now can work Final Cut Pro. To say you can't risks being overlooked for a job, not being able to join in "What Codec" chats down the pub or more embarrassing, having to ask for help when you've messed up the screen trying. Fear no more, Pro Apps expert Alex Snelling has compiled his top ten FCP GUI errors from his years of teaching fresh new editors.
It started off as a few posts on Twitter about the Change Speed Segment feature. It grew into a bigger conversation to whether speedramps are latest effect that ranks number one on the list of tacky 'eye candy' editing techniques. Are we right or wrong?
With all the excitement about the new Final Cut Pro, nobody has mentioned the possible fate of its little brother, Final Cut Express. I think there will be two possible outcomes and you just might be surprised at one of them...
We all know how hard it is trying to turn a buck out there. Well Hollywood Reinvented's Lawrence Jordan has been scratching his head to the extent that he's writing a book about how to survive the economic downturn.
After the break an insightful and amusing excerpt into his Top Ten techniques for increasing your profile.
We are really glad somebody has sat down and been through the audio filters one by one to see what each one does. Normally we stick to the favourites like compressors and hum roll-offs and don't have time to experiment, so this two part tour by FCP guru Jon Chappell is invaluable. The first part of his guide after the break.