We are very proud to launch our FCP Community page and Forum today. We have included some amazing functionality for users - profiles, groups, events and forum postings to mention a few, everybody is welcome.
We were going to try and not mention that three lettered acronym for the whole of today until we found this. Andrew Baum, Product Marketing Manager heads up this Apple video presentation from 1999 of Final Cut Pro 1. Some of the messages are curiously familiar.
Actually we are going to take a further look back with a webpage of every FCP version. This video from 2003 has some very interesting facts, figures and faces from 2003 to start it all off.
In all the speculation about FCPX, nobody has mentioned about third party audio plugins. There is the rumour of Soundtrack Pro being incorporated, but what about being able to install specialist plugins that can do tasks like precision compressing or transient noise reduction? What tools could be available?
So you can work the kit, but can you work with clients? Having many years of facility editing under our belts, we would say they are both just as important. Many editors can do the former, not everyone can do the latter.
Chris Culp decided to film himself editing on Final Cut Pro and then compress that down into a one minute video. It made us think of two things. 1: Editors don't move much during the day and 2: There are many different ways to control FCP. What's yours?
Everybody loves plugins within Final Cut Pro, there are now hundreds to buy or download free in the FCP 'Ecosystem.' With the radically new FCPX less than a month away, what is going to happen to your favourite FXScript plugins?
We were horrified when we read this post from Walter Biscardi. The ignorance of a producer that contacted him is unbelievable. If you are planning on making a film you wish to submit to a festival in the future, we suggest you take a read and follow his good advice.
If you are an editor on any system, the non-linears or even tape, there are certain comments or phrases from clients that will strike terror in you immediately. Luckily we don't have the rhetorical, "Do you mind if I smoke?" anymore, but there are plenty more to ruin what would have been a lovely calm edit...
Tony Davies puts into words what a lot of us editors and producers have been thinking for a while. Final Cut Pro is a great tool, but its ease of use has caused a lot of problems within the industry too.
It seems that everybody now can work Final Cut Pro. To say you can't risks being overlooked for a job, not being able to join in "What Codec" chats down the pub or more embarrassing, having to ask for help when you've messed up the screen trying. Fear no more, Pro Apps expert Alex Snelling has compiled his top ten FCP GUI errors from his years of teaching fresh new editors.