Has the tide turned? It seems more and more are discovering that FCPX is really the fastest and best way to get content ingested, edited and outputted. YouTuber Levi Allen AKA Leftcoast gave himself 24 hours to make the switch. Why did he change NLEs? His video tells all.
Apple has made a big point of mentioning their continuing support of the ‘Pro User’ over the last six months. We understand, but the best way they will target new pro users is by officially attending the two big trade shows of the year.
MacBook Pro, Final Cut Pro X and the LA Film Community Boost Local Productions. A great FCPX user story that shows there really is no barrier to shooting and editing your own high quality film.
If 2017 made you want to run into a movie theatre and hide, you aren't alone. Luckily, it’s been an exceptional year for the moving image. The Toronto International Film Festival looks back at the moments that helped us maintain, find hope, and transform the way we see the world through film.
First article of the New Year and it's one that a lot of people have asked for, real statistics on the Apple Pro Video Apps running on a new iMac Pro. Ben Balser had a new machine arrive just in time for the holiday break. He gave it a good test, it's fast, but it's not all great news.
A few lucky individuals have had the opportunity to test out the new iMac Pro before the official launch. Vloggers Marques Brownlee and Jonathan Morrison give their first impressions of the fastest Mac ever built.
It's nice to follow up our collection of free tutorials with the news of a new Final Cut Pro X training course. Jason Cox has announced five and a half hours of FCPX training on Pluralsight
AC/DC, Coldplay, The Rolling Stones, Robbie Williams, Metallica, David Gilmour, Duran Duran, Placebo, Dixie Chicks, Zipperface, Beyoncé, Björk… You name them, James Tonkin has worked with them. In this extensive interview, he talks about the gear he takes on the road to shoot and edit concerts of the world’s greatest bands, and about his new high-end post house in London. A good read for anyone who is interested in camera gear and post production technology.
Near-live broadcast editing is one of the craziest jobs in our business. You constantly work under high pressure, ingesting, organizing, editing and finishing you program while the event is still going on. And your edit needs to be ready to air as quickly as possible while you have to comply with the highest quality standards. This requires a well-oiled team of very experienced people using hardware and software that is both fast and absolutely reliable. Because there are no excuses.
The new color tools in the coming FCP X update look very impressive. They will undoubtedly incite more people to stay right within FCP X from start to finish. But they will also offer new opportunities for third-part developers to add extra functionality to the enhanced grading functions inside FCP X.
Is it really November and Black Friday week already? It certainly is and we thought we would put together a growing list of the deals we could find for FCPX editors- software and hardware.
In this presentation from FCPX World at IBC, Christian Petterson from VGTV Norway explains why they exclusively use Final Cut Pro X to produce hundreds of hours of content each year for different online and linear television channels, including a 24/7 news channel.