"When I would tell you have to pack everything you need for a year to live, produce and deliver a documentary series from the road into a 4WD and a camper trailer, would you call me crazy or jump at the opportunity?"
We are very excited to publish the first part of Carsten Orlt's amazing Final Cut Pro X user story. Making good documentaries is hard enough, but working from a mobile base adds another level of hassle and complexity!
Dušan Sekulović got in touch with FCP.co to tell us about a music video he produced. Inspired by old black and white films, he explains how everything was edited and composited in Final Cut Pro X.
Apple's Motion is now over 15 years old, so time to give FCPX's backbone companion app a little love. In the article below we take a look back, but the live chat will end up looking forward. Where is Motion going next? What features will the next Motion have and what would Motion benefit from getting. We discuss, live on YouTube!
Emmanuel Tenenbaum's excellent short film Two Dollars is this week's Vimeo Staff Pick. It was edited on Final Cut Pro X on a 2013 MacBook Pro.
When broadcast transmission deadlines are tight, you need an NLE that's fast and robust. John Matthews describes his Final Cut Pro X workflow that enables him to deliver quick turnaround shows to the BBC with ease.
When we heard that Michael Kammes had moved to Bebop Technology, we were very curious to find out more about its online virtualisation of edit machines. He's very kindly told us what Bebop is, how it works and answers the question 'Could FCPX be virtualised'.
CalDigit has announced a bus powered Thunderbolt 3 to 10GigE adaptor. A perfect way to connect your Thunderbolt laptop to fast NAS storage.
A user story very close to our heart at FCP.co. Winston Cely describes how his pupils at a school are using Final Cut Pro X to tell their stories. He also tells us how custom music gives them more freedom and choice for their productions.
LumaForge has published more presentation videos from the 2019 Faster Together Stage which was held during NAB in Las Vegas. Some great videos to watch and lots to learn from real life post production stories.
When Blackmagic displayed their dedicated Resolve keyboard at NAB, I thought it was a winner, a product thought I had had in my head for many years. Now I'm not too sure, what would the ideal dedicated NLE keyboard look like?