If you have been following the progress of "Off the Tracks", the documentary film about the birth of Final Cut Pro X, you will be interested in hearing from the film's producer, Brad Olsen. He takes us through 2 years of hard work on the film, from the initial idea up to the imminent premiere at LACPUG.

Want to look into the future of editing? Well, you can with this 20 minute demo of Lumberjack Builder from Philip Hodgetts. Watch how he creates an edit by dragging and dropping parts of transcripts together from interviews. Very clever. There's also the offer a free month of Lumberjack too!

Another great video from the Faster Together stage at NAB. This time it is Duncan Shepherd's turn and he runs through his 360 video editing tips, with heavy emphasis on FCPX, his choice of NLE.

Need to integrate FCPX with Adobe's After Effects? Chris Fenwick runs through his workflow when using the two apps together and gives us some great tips in the process.

If there is one person that can tell you about the success of Final Cut Pro in Europe, it is Ronny Courtens. Essential viewing for anybody who works in post production, whatever side of the pond you live.

We have done very little HDR to date at FCP.co towers, well to be honest, none. However, we do know somebody who has edited in HDR in Final Cut Pro X. Marc Bach gets us up to speed quickly with his recommendations about grading within the new extended dynamic range.

Time for another presentation from the Faster Together stage at NAB 2018. This time Steve Martin takes to the stage to run through his favourite FCPX tips. Learn how to use Secondary Storylines, Gap Clips, Audio Roles and much more to your advantage.

Next up in the series of presentations from the Faster Together stage at NAB is Josh Beal. He thinks it is time for Hollywood to reconsider Final Cut Pro X as a viable editing platform.

If there is one person who knows about colour correction in FCPX it is Denver Riddle. He's published a free 12 minute crash course designed to show the new colour wheels and curves in 10.4.

The week before NAB 2018, Apple announced a new version of Final Cut Pro X with support for closed captions, and the brand new ProRes RAW codec. In the announcement, Atomos and DJI were listed as the first two companies to support capture of the ProRes RAW codec. In the first of the video presentations from the Faster Together stage at NAB, Jeromy Young debuts ProRes RAW.

We are always having to cut or extend music to the right length, always a lot of foot tapping, marker placing and nibbling frames away to get the perfect result. What if there was an easier and more flexible way? FCP Audio has an interesting range of music products that uses 'Soundstacks' that build music in sections. 

The new captions feature in the recent FCPX 10.4.1 update is certainly creating a lot of interest. A new version of SpeedScriber, the automated transcription app now lets editors export transcribed text into iTT format for import as captions in Final Cut Pro X. Speedscriber 2 also supports five new languages.

The news from NAB about FCPX keeps on coming. Pond5 has just announced an app that works with Final Cut Pro X enabling you to edit with watermarked previews and then automatically replace the media on the timeline with high resolution footage.