It is over 1200 days since Apple launched the 'Can't innovate anymore my ass' Mac Pro. Over the last 24 hours, there has been widespread reporting of Apple's decision to end the life of the cylinder and reinvent the Mac Pro. The bad news is the new model won't be available this year.
It is the end of March and that means one thing, everybody is gearing up for NAB. Sam Mestman from Lumaforge takes us through some very interesting events for FCPX editors at the show in Las Vegas.
Today, March 24th is the theatrical release of Bokeh, an independent feature about a young couple on holiday in Iceland who wake up one morning to find that everybody else has disappeared. The co-writer/director and editor Geoffrey Orthwein takes us through the post production of the movie on Final Cut Pro X.
If there is one side of editing that's really hot at the moment, it is making videos for social media. Apple has recognised this trend and announced a free app for iOS that will make posting those fun videos a lot easier. It's got some cool features too. Very cool.
Not just being able to operate another NLE, but be good at it, able to sit next to a paying client working under time pressure. Is theres a lot of common ground? On the 25th anniversary of Adobe's Premiere launch, are NLE’s all becoming the same or are they getting more specialised?
So how difficult is it to try and get full collaborative workflow in FCPX? A bit of experimentation later, and we are a lot closer, we have updating Events & Projects.
We welcome Einar Johnson from Pixel Bokeh Productions who very kindly let us publish his story on how his company edited a highlight reel during the course of a corporate conference. Of course, FCPX was one of the stars!
A new file transfer service from MASV allows users to transfer files fast without size restrictions. No more 20GB limit! Great for rushes and completed programs.
Director Juanjo Giménez very kindly answered our questions about the post production of Oscar nominated live action short film Timecode. It was his first movie project on Final Cut Pro X and he was keen to try it out!
Brian Cassin goes in to great detail about how he efficiently edits a gameshow on FCPX. By using Final Cut Pro X and Lumberjack to pre-edit a season of High School Quiz Show, he saves hours, if not days of edit time.
Back in March 2016 I took a prototype Jellyfish portable started storage unit out on the road for a broadcast Final Cut Pro X edit. A few months later, I took a shipping model out on another high pressure, quick turnaround broadcast job. What’s new, what's changed and how did it perform?
We publish part two of Sam Mestman & Patrick Southern's popular workflow series. This time they look at setting up Final Cut Pro X ready for editing and using tools to organise footage within Libraries. As always, lots of very detailed & valuable battle tested information for film makers.