Not just being able to operate another NLE, but be good at it, able to sit next to a paying client working under time pressure. Is theres a lot of common ground? On the 25th anniversary of Adobe's Premiere launch, are NLE’s all becoming the same or are they getting more specialised?
So how difficult is it to try and get full collaborative workflow in FCPX? A bit of experimentation later, and we are a lot closer, we have updating Events & Projects.
We welcome Einar Johnson from Pixel Bokeh Productions who very kindly let us publish his story on how his company edited a highlight reel during the course of a corporate conference. Of course, FCPX was one of the stars!
A new file transfer service from MASV allows users to transfer files fast without size restrictions. No more 20GB limit! Great for rushes and completed programs.
Director Juanjo Giménez very kindly answered our questions about the post production of Oscar nominated live action short film Timecode. It was his first movie project on Final Cut Pro X and he was keen to try it out!
Brian Cassin goes in to great detail about how he efficiently edits a gameshow on FCPX. By using Final Cut Pro X and Lumberjack to pre-edit a season of High School Quiz Show, he saves hours, if not days of edit time.
Back in March 2016 I took a prototype Jellyfish portable started storage unit out on the road for a broadcast Final Cut Pro X edit. A few months later, I took a shipping model out on another high pressure, quick turnaround broadcast job. What’s new, what's changed and how did it perform?
We publish part two of Sam Mestman & Patrick Southern's popular workflow series. This time they look at setting up Final Cut Pro X ready for editing and using tools to organise footage within Libraries. As always, lots of very detailed & valuable battle tested information for film makers.
Patrick Southern and Sam Mestman take us on a detailed walk-through of the workflow involved in the post production of a feature. We start with part one, on set where the capture of logging information is essential to cut time and costs in post production. With the first part containing over 4000 words of wisdom, this series will be the 'go to' post production reference for future filmmakers.
In his presentation at the FCP X TOUR Barcelona, David López walked us through the NLE testing process they went through for Salvados, a hugely popular prime time TV show in Spain. Moving forward from FCP7 they considered Avid and tested DaVinci Resolve, FCP X and Premiere Pro CC. They finally adopted Final Cut Pro X, and David explains why exactly the other NLEs were not selected. Video included!
During the FCP X Tour in Barcelona we had the pleasure of having a live FaceTime conversation with Marc Bach in California. Hegives an honest opinion about FCP X 10.3 and tells us why he thinks that some of his colleagues still don’t want to hear anything good about it. Videos included!