Final Cut Pro X libraries can grow in size, especially when you have a lot of proxy media or use Optical Flow. This $2 app quickly slims libraries down by removing unwanted files.

New to the market plugin maker ReelPath have launched two new FCP plugins on the Mac App Store. bounceIt! and springIt! are $25 dollars each.

Rusty Earl returns to FCP.co with another great Final Cut Pro X user story. This time, a story made with a shared workflow with student editors. How did it work and how did they get around project slow downs?

We have just got notification from Roger at CoreMelt that he will be presenting a free webinar on his SliceX powered by Mocha shape masking tool for FCPX on the 16th October.

In this edition of MacBreak Studio, the guys take a look at the new relinking feature that was released in the FCPX 10.0.3 update.

We are all still learning the best way to achieve an operation in FCPX as there are many different ways things can be done. In this week's episode of MacBreak Studio, we start off with an update with a better solution to a problem.

We have to give a big thank you to Larry Jordan for spotting this one. Make sure you have Hoovered the carpet in the office this morning as that's where your jaws will be after watching and more importantly listening to the demos.

Another episode of MacBreak Studio and this time the duo of Steve Martin and Mark Spencer tackle the problem of removing an unwanted piece of audio and replacing it with room tone.

Not all graphics cards play nice with FCPX. One FCP.co reader has been getting bad artifacts when using his Sapphire 7950 Mac Edition GPU. Take a look at the video.

With possibly the coolest on screen controls of any Final Cut Pro X plugin out there, the new $49 ReAnimator plugin fixes small imperfections in video.

So you've edited a piece with music with a watermark or a low bit rate demo version. How do you go about replacing it with the full quality track without disturbing the edit?

There hasn't been one for a while, possibly because the 10.4 update came out slightly later than expected, but.. Here is the latest Final Cut Pro X Virtual User Group video recording.

Unfortunately, being in the UK, the late timing of this event was way beyond our bedtime. No problem, the whole recording is on YouTube.

Time for the first Final Cut Pro X Virtual User Group of the year, number 9. If you missed it live, we have embedded the show and the after show videos.

Yes more great FCPX demos to watch and more coffee to be drunk this morning!. FCP Exchange continued on March 5th at Abel Cine in Burbank. The second session of the Final Cut Pro X workshop series featured collaborative workflows and shared storage solutions. The day included sessions from Apple (which was private for the crowd) Quantum, Softron, Blackmagic, and editors Charlie Austin, Patrick Southern and David Tillman. Great viewing!

The recent FCPX 'focused' meeting of the Los Angeles Creative Pro User Group was a sell-out. Even the waiting list had to be closed! One of the highlights was a detailed presentation of how Final Cut Pro X works with a narrative workflow.

We couldn't make BVE at ExCel London this year, a shame as Soho Editors had a lecture area that put on presentations that mainly concentrated on Final Cut Pro X. So luckily for us they have just published recordings of the sessions.  Rory from Soho Editors, Thomas Grove Carter, a couple of Alexes and Pierre from Softron all take to the stage.

With the launch of the recent update of FCPX to 10.3, there is a lot to talk about. The roundtable discussion returns and there's a little surprise in there too.

Couldn't make it to Los Angeles for the recent Light Iron event where the the directors and editor of Focus talked about how they made the film on Final Cut Pro X? The recordings from the sessions are now online.

It got moved to a new time to help us on this side of the pond, but still some people managed to miss it! Good job Pixel Corps has published the whole two hours online.

If you attended the FCPX World event in London last month, you would have seen Thomas Grove Carter, James Tonkin and Rory Cantwell/ByronWijayawardenapresent on stage. Three Final Cut Pro X demos that we can now publish on FCP.co. Not to be missed!

Didn't stay up last night to watch the roundtable Final Cut Pro X discussion? No problem as the whole recorded event is now on Youtube. Over two hours of tips and tricks to watch. 

We replay the 11th of November edition of the Virtual Final Cut Pro X User Group. Five guys talking about FCPX for two hours. Tips, tricks and advice all wrapped up with a touch of humour. Grab a large coffee (or two) and enjoy.

Hot on the heels of the FCPX Creative Summit, the sixth Final Cut Pro X Virtual User Group took place on Monday. Here's the replay.

The UK BBC TV show TopGear has been using custom transitions to get a very stylised feel to their VT inserts. HyGear is a $49 pack of FCPX transitions that replicate the look.

A new MacBreak Studio and this week it's all about retiming clips in FCPX. We also look how to create custom light streaks in Motion and how to record good audio on your iPhone.

Crikey these guys don't half crank out the mini tutorials! In the second visit to MacBreak Studio this week, the subject is retiming or time stretching audio in Final Cut Pro X without changing the pitch. Also posted is the recent recording of MacBreak Studio Live.

We are big fans of Frame.io, the online tool for sharing, collaboration and commenting on edits & content. Now they have just released an iOS app so you can get all the functionality of Frame.io (and more) right on your iPhone.

Rgrain have released a set of film grain clips to overlay onto your footage to make that pin sharp video look like it was shot on a film camera. $60 gets you the set to work in Final Cut Pro and other NLE's

***Winners announced***

Hot off the press is longtime FCP guru Rick Young's The Focal Easy Guide to Final Cut Pro X. Should you need to brush up on your FCPX skills or just need a last minute stocking filler for Christmas, this graphic heavy publication might fit the bill. We have three to giveaway too.

There are many online tutorials for Final Cut Pro X, but only a handful that are written & printed. If you prefer a hard copy, Rick Young has just updated the longest running FCP book on the market!

Rick had some unfortunate timing with his book release before, so it is good to see him getting his FCPX guide right up to date with a second edition.

Although Mark Spencer looks like he's just about to play a large piano solo, he's actually describing rigging in Motion and how the effects are published in Final Cut Pro X. Advanced FCPX & Motion work here.

Ripple Training seem to be building up their FCPX and Motion tutorials on a weekly basis! Here Steve Martin presents their newest course, Advanced Editing Workflows in Final Cut Pro X. Don't forget our 15% off coupon.

The guys at Ripple Training have branched out from their excellent tutorials and released Callouts, a $49 FxFactory based plugin for Final Cut Pro X. If you need to make a graphic point onscreen, a few clicks of Callouts will make sure it's seen.

How would you like a free 14 part set of tutorials demoing Frame.io? You are in luck, the guys at Ripple Training have just published a comprehensive set of videos on exactly that.

You might have seen this pop up a couple of days ago, we eagerly clicked a link in an email from Steve Martin to find the article unavailable. It's now back up, so if you really need that 3 way color corrector back in your FCPX life, read on.

New features in Final Cut Pro X 10.0.3 means new tutorials from Ripple Training. Here Mark Spencer gets to grips with multicam editing in FCPX.

If you are a regular reader on FCP.co, then you will be aware of Ripple Training's excellent range of tutorials for FCPX and Motion. They have just released a trial $1.99 iPad app based on the 10.0.6 update and they're after your feedback.

Ripple Training has just released their new version of Mastering Multicam Editing in FCPX. The tutorial is now on its third edition. Brand new lessons for 10.1, new downloadable examples and all the info on the latest techniques for $39.99.

There are loads of tutorials out there about editing video within Final Cut Pro X, not so many about audio. Ripple Training have released a whole course dedicated to getting your audio sounding the best it can in FCPX. We've also got a money off coupon code.

We have the next in the series of presentations from the Faster Together stage at NAB 2017 and this time it is about the helpful media management tool, Kyno.

This one took a bit of research, probably because Japanese isn't our strong point! ISP have ported their high quality blue/green screen keyer to Final Cut Pro X, not forgetting that it still works in FCP7.

The new color tools in the coming FCP X update look very impressive. They will undoubtedly incite more people to stay right within FCP X from start to finish. But they will also offer new opportunities for third-part developers to add extra functionality to the enhanced grading functions inside FCP X.

Friday saw the release of Resolve 8.1, an update to the color grading tool that now allows the import and export of FCPX projects. What followed however was a weekend of discovery when editors realised they could use this to swap projects between FCPX and FCP7.

We continue to publish the videos from The FCPX World event at IBC. And we start off with two highly anticipated presentations.

A follow-up to probably one of the most read FCPX articles of 2013, Sam Mestman returns to Bulgaria. On the eve of the release of Expendables 3, how did the EPK on FCPX edit go? He also reports back as one new feature film gets cut on both Avid and FCPX at the same time - which one finishes first?

Sam Mestman presents Final Cut Pro 10.2 at the Los Angeles Creative Pro User Group. New features, third party plugins and of course, 3D text.

It's been a while since we featured a presentation from the LACPUG here on FCP.co. This is a good one, Sam Mestman from Lumaforge takes the audience through a 4K RED workflow on Final Cut Pro X.

Earlier in the week we had FCP guru Larry Jordan's take on what he expects to see at NAB next week. This time it's workflow guru Sam Mestman's turn to look into the crystal ball...

So what is going to happen to content creation this year? We don't know, but we know a man who has more insight than others. Sam Mestman looks into the crystal ball in this new article about the future of media.

This week the team look at saving custom transform moves as effects in Final Cut Pro X and how to add some different effect treatments to titles.

One of the features lacking in FCPX is the ability to save favourite effects just like our much loved FCP7 was able to. This new episode of MacBreak Studio shows us a workaround that works, for the majority of the time anyway.

Scary eyes, real estate promotion, pack replacement and Larry Jordan. What do they all have in common? They all feature in this roundup of FCPX tutorials. Some basic, some advanced, they are all worth a watch.

Hot off the press and subject to change, FCPWORKS and FCP.co have announced the schedule and speakers for this year's presentations at NAB2016

Take a look at the video above. The new FCPX in action? Wrong, it's an iMovie timeline worked up by Scott Simmonds. Looks slightly familiar doesn't it?

Two new tutorials from Ripple this week. We look at replacing an iPad screen with the TrackX plugin and creating alternate storylines in FCPX.

Two new tutorials from the Ripple barn, secondary colour correction in Final Cut Pro X and how to build animated titles in DaVinci Resolve.

You've got to love any article that has the word 'secret' in the title. It's that time of the week for the latest MacBreak Studio episode and both guys discover something new about FCPX.

Time to catch up with this week's three tutorials from Ripple Training. A way to select media on the magnetic timeline and how to fake parallax in Final Cut Pro X. Plus making a whiteboard animation in Motion.

Victor Gusev from Moscow very kindly emailed in this quick tip for FCPX. How do you select a clip that is not on the main storyline without using a mouse?

Clickbait headline? We don't think so. This video neatly wraps up in a short, well put package why FCPX has become a superior non-linear editor compared to the traditional track based systems. Essential viewing, for your un-enlightened colleagues and friends.

The developers of KeyFlow Pro 2 have released seven new tutorials on how their MAM works. Of special interest to us is the integration with Final Cut Pro X and of course the Workflow Extension.

Jordan Smith wrote to us with a link to his article on sharing Final Cut Pro X projects. We liked the article so much, we asked if we could reprint it here on FCP.co. So if more than one editor is going to be working on the same project, read on...

So you've finished your edit masterpiece, how do you output from FCPX now that the 10.0.6 update has removed the share menu? Steve Martin and Mark Spencer find out.

Long term plugin writer and Motion guru Patrick Sheffield has moved two of his popular plugins over to the FxFactory delivery method. Priced At $19 and $29, they're not going to break the bank stylizing your footage.

Would Final Cut Pro X be up to producing a daily Vlog following a participant on the Red Bull X-Alps adventure race? In the first of this two part article, Jonathon Williams tells us his story of how he, his camera kit and his NLE coped with such a grueling task.

We will waste no time and post part two of Jonathon Williams' popular article on shooting and editing (on FCPX of course!) a daily blog during the Red Bull X-Alps race.

Chris McKechnie dropped us a line with the details of how he made a corporate video for Peragon. Shot on a Red Epic and post produced in Final Cut Pro X and REDCINE-X, we knew it was going to be a good read.

Hot on the heels of the Lumberjack System, Shot Notes X is an application that takes the data from a script supervisor on set and makes it available in the edit. Sam Mestman explains for FCP.co "no dailies, no carts, no labs, and no transcoding!" 

myFiles a a free application that allows you to make an external list of all media that is involved in a Final Cut Pro X Event or Project.

Ever wanted to mix things up on your FCPX timeline automatically? A new $29.99 app Random-X makes as many versions of your Project as you want!

Have these just raised the bar for free Final Cut Pro X tutorials? Not only do you get a tutorial video, you get the project XML and all the footage & music too!

Thinking of buying a new large or widescreen monitor to go with your new MacBook Pro? Then this article is a must read- not only great advice, but Brian might save you money as well.

Shamir Allibhai told FCP.co how the Simon Says workflow extension for Final Cut Pro X can auto translate subtitles into 50 languages in seconds. Pretty Impressive.

When the new workflow extensions for Final Cut Pro X were announced, only three were mentioned in the initial PR. The 'speech to text' transcription service Simon Says is the next one released and we are sure it will create a lot of interest.

A user story very close to our heart at FCP.co. Winston Cely describes how his pupils at a school are using Final Cut Pro X to tell their stories. He also tells us how custom music gives them more freedom and choice for their productions.

You might have become bored of twitpic screenshots by now, so we thought we would post these two FCPX discussion preview videos from MacVideo. How will it affect editors? What are the new features we should look out for? What about training? All covered in this presentation from June 9th.

We always try to give new tutorial makers a good plug here on FCP.co and this time a set of six beginner tutorials come from Malaysia. Baron Abas starts right from the beginning!

The popular skin smoothing plugin Beauty Box from Digital Anarchy has been updated to version 3 and it's just been released. It's also at a discounted price until June 30th.

CrumplePop has just released a new plugin for Final Cut Pro X that corrects skin tones back to their natural colour. They are also offering the tool at a discounted price for a short period.

Final Cut Pro has never been good at slow motion. The introduction of FCPX has now brought Optical Flow retiming within the app -so what does video at 1% of original speed look like?

What’s the fastest way to learn filmmaking?  Get a bunch of iPhones, Macbooks, Final Cut Pro X and Filmic Pro, a ton of mobile filmmaking gear, and go make some movies together. That’s what they did at PBS station WDSE in Duluth, Minnesota with Cirina Catania, Aubrey Mozino, Sam Mestman and We Make Movies’ Smartphone Studio.  With the new iPhone 11 now available, we’re pretty excited about seeing all of this go to the next level.

Sounds like a bit of a contradiction, but in this new episode of MacBreak Studio, Steve Martin does show how you can get a lot smarter with smart collections.

Phil Schiller summed it up quite nicely, 'can't innovate anymore, my ass.' For the first time since Steve Jobs, we got the full wow factor when details about the new Mac Pro were announced.

We have some very clever people on our Forum, one of them is Quentin Stafford-Fraser who has done some expert digging on how FCPX looks for external media. Did you know you can move media to another folder and FCPX will track it?  No, neither did we...

***Updated***

We have all seen how snappy the operation of Final Cut Pro X is in demos, but what about the operational speed with a large real life project with lots of clips and keywords?

Last weekend we had the pleasure of attending not just the International Broadcasting Convention (IBC) in Amsterdam, but we also visited the FCP EXPO event and the Supermeet.

A few days on, the jetlag has gone, so maybe an ideal time to reflect on a very busy few days at last week's FCPX Creative Summit. 

I'm sat at the airport waiting for a plane out of San Francisco, so this gives me time to reflect on the 2019 FCPX Creative Summit. What was it like and was it worth it?

It's a few weeks on from the recent Final Cut Pro X Creative Summit in San Jose. Prompted by a few emails, we thought we would pass on our thoughts and memories of the event.

We had the opportunity to test out a top of the range MacBook Air and naturally we thought it would be a good idea to see how it performed with Final Cut Pro X. We reveal some very dramatic performance figures.

Good job we have Mark Spencer and Steve Martin on hand to give us the answer, here is the latest edition of MacBreak Studio.

Completely inspired by a great thread on our popular Forum, we take a quick look at some of the lesser-known, but still important new features and improvements in the FCPX 10.4 update. You did know you could do GIFs from the timeline didn't you?

Two new pieces of software, a new Thunderbolt2 SxS card reader and a 12k screen. Just some of the things you can find on the Sony stand at IBC 2014. We haven't even mentioned any cameras or the fact that the cloud demo films were edited on FCPX!

Sony have two new pieces of software running with FCPX on their stand here at NAB 2012. An import plugin for XDCAM into Final Cut Pro X and an FCPX friendly update to XDCAM Browser. The plugin is available for download now, sort of.

***Updated***

If you are one of the lucky people to be working with 4K Sony SR footage, then you will like the news that they have just released an import plugin for FCPX and Final Cut Pro 7.

We were pleased to be invited to the Sony Press Conference at IBC a few weeks ago. In the presentation the Final Cut Pro X icon was used, so afterwards we asked some questions and got a few surprising answers.

It's not a Friday, but this set of free plugins from Coremelt couldn't wait. Want a free plugin to get timecode overlays on a clip in Final Cut Pro X? It is just a download away!

In his presentation at the FCP X TOUR Barcelona, David López walked us through the NLE testing process they went through for Salvados, a hugely popular prime time TV show in Spain. Moving forward from FCP7 they considered Avid and tested DaVinci Resolve, FCP X and Premiere Pro CC. They finally adopted Final Cut Pro X, and David explains why exactly the other NLEs were not selected. Video included!