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It is a good question and of course you can guess the NLE used in the trial. It's a short video, but worth watching for the comparisons and conclusion, especially as it is the base model.

We have covered making smaller proxies in Final Cut Pro X and sharing those with a remote editor a few times before. Jordan Smith takes it a stage further and streamlines the workflow into a quick & simple process.

It has been a long time since the Mac mini got any love from Apple. Today at their special event, they announced a new Mac mini and a redesigned MacBook Air. Plus there was another announcement that catapults mobile editing to a new level.

When Mike Matzdorff hits a workflow roadblock, he goes looking for an alternative route. What he recently discovered was not only a new low cost transcription service, but a job at the company as well! 

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FINAL CUT PRO X & FILM PRODUCTION

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FCPX & MOTION TUTORIAL PICKS

  • War on Keyframes - Speed up Your Workflow in FCPX Now!

    War on Keyframes - Speed up Your Workflow in FCPX Now!

    Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores... Read More
  • Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all. Read More
  • Recreating the Rogue One Movie Title in Final Cut Pro X

    Recreating the Rogue One Movie Title in Final Cut Pro X

    The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template! Read More
  • Final Cut Pro X Fincher Style Part One

    Final Cut Pro X Fincher Style Part One

    Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. Read More
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