2017: A Year in Moving Images
If 2017 made you want to run into a movie theatre and hide, you aren't alone. Luckily, it’s been an exceptional year for the moving image. The Toronto International Film Festival looks back at the moments that helped us maintain, find hope, and transform the way we see the world through film.
Auto Applying Audio Fades to Groups of Clips in Final Cut Pro X
Is it possible to apply audio fades to a group of clips all at once in FCPX? Yes, from the 10.3 update, batch cross dissolves between multiple clips has been possible, just a GUI bug gets in the way.
Testing the Apple Pro Video Apps on the New iMac Pro
First article of the New Year and it's one that a lot of people have asked for, real statistics on the Apple Pro Video Apps running on a new iMac Pro. Ben Balser had a new machine arrive just in time for the holiday break. He gave it a good test, it's fast, but it's not all great news.
Replay the 10th Final Cut Pro X Virtual User Group
There hasn't been one for a while, possibly because the 10.4 update came out slightly later than expected, but.. Here is the latest Final Cut Pro X Virtual User Group video recording.
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FINAL CUT PRO X & FILM PRODUCTION
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FCPX & MOTION TUTORIAL PICKS
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Recreating the Rogue One Movie Title in Final Cut Pro X
The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template! Read More -
Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke
XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all. Read More -
War on Keyframes - Speed up Your Workflow in FCPX Now!
Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores... Read More -
Final Cut Pro X Fincher Style Part One
Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. Read More
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