Surely this old piece of NLE operation is old news? Or has Apple got a more advanced plan using this patent? Could the new Apple data centre, the new iMovie and a new MobileMe account be the first inroads into cloud editing?
This is production footage Tom Lowe shot over the summer for his debut film, "TimeScapes," a modern portrait of the American Southwest, using Canon and Red MX cameras. Follow the film's production here.
Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction.
Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke
XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all.
Recreating the Rogue One Movie Title in Final Cut Pro X
The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template!
War on Keyframes - Speed up Your Workflow in FCPX Now!
Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores...