Popular Tags

When Blackmagic displayed their dedicated Resolve keyboard at NAB, I thought it was a winner, a product thought I had had in my head for many years. Now I'm not too sure, what would the ideal dedicated NLE keyboard look like?

Two Oscars in two years in the best live action short film category for Final Cut Pro X. This year's winners took to the Faster Together stage to talk about how the film was made, including a live demo from the editor of the Skin timeline in FCPX.

We are back from NAB, we have got over the jet lag, so time to delve back into our photos and notes and round up our thoughts about NAB from day two onwards.

Hot off the press from our friends, Felipe Baez and Jasper Siegers, is the announcement of the acquisition of FCPX collaborative tool Postlab by Hedge. 

RECENT POSTS

  • 1
  • 2
  • 3
  • 4

FINAL CUT PRO X & FILM PRODUCTION

  • 1
  • 2
› ‹

FCPX & MOTION TUTORIAL PICKS

  • Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all. Read More
  • Recreating the Rogue One Movie Title in Final Cut Pro X

    Recreating the Rogue One Movie Title in Final Cut Pro X

    The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template! Read More
  • War on Keyframes - Speed up Your Workflow in FCPX Now!

    War on Keyframes - Speed up Your Workflow in FCPX Now!

    Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores... Read More
  • Final Cut Pro X Fincher Style Part One

    Final Cut Pro X Fincher Style Part One

    Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. Read More
› ‹
  • 1
  • 2
  • 3
  • 4