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What is Final Cut Pro X like running on a new Mac mini? We take a look at the new model, its features and how well FCPX performs. It even beats an iMac Pro in one of our tests!

The 2018 FCPX Creative Summit is nearly upon us, FMC has just announced the keynote speaker for the event. With over 5 million subscribers on YouTube and more on other social media channels, Justine Ezarik AKA iJustine will be starting the event off.

It is a good question and of course you can guess the NLE used in the trial. It's a short video, but worth watching for the comparisons and conclusion, especially as it is the base model.

We have covered making smaller proxies in Final Cut Pro X and sharing those with a remote editor a few times before. Jordan Smith takes it a stage further and streamlines the workflow into a quick & simple process.

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FINAL CUT PRO X & FILM PRODUCTION

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FCPX & MOTION TUTORIAL PICKS

  • War on Keyframes - Speed up Your Workflow in FCPX Now!

    War on Keyframes - Speed up Your Workflow in FCPX Now!

    Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores... Read More
  • Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all. Read More
  • Recreating the Rogue One Movie Title in Final Cut Pro X

    Recreating the Rogue One Movie Title in Final Cut Pro X

    The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template! Read More
  • Final Cut Pro X Fincher Style Part One

    Final Cut Pro X Fincher Style Part One

    Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. Read More
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