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Postlab, the collaboration tool that allows Final Cut Pro X Editors to work together has been released today. Oliver Peters takes a first look at this FCPX Library versioning, collaboration and archiving tool.

Ronny Courtens was lucky enough to spend some time again with James Tonkin from Hangman Studios. James has had a new Mac Pro & Pro Display XDR in his studio for the last month and Ronny asked James about his experience working on real-life projects with the new machine.

It has been a busy day for news. First of all we have the Mac Pro release, then the Colour Finale 2 update and of course our YouTube live show. Now Apple has released FCPX 10.4.8 and macOS Catalina 10.15.2. And yes the 16 inch MacBook Pro clicks have gone!

Color Finale 2 for Final Cut Pro X has been released. Join us with the Commercial Director, developer of CF2 along with Sarah K Euschen on our YouTube live chat at 1800 GMT.

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FINAL CUT PRO X & FILM PRODUCTION

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FCPX & MOTION TUTORIAL PICKS

  • War on Keyframes - Speed up Your Workflow in FCPX Now!

    War on Keyframes - Speed up Your Workflow in FCPX Now!

    Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores... Read More
  • Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all. Read More
  • Recreating the Rogue One Movie Title in Final Cut Pro X

    Recreating the Rogue One Movie Title in Final Cut Pro X

    The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template! Read More
  • Final Cut Pro X Fincher Style Part One

    Final Cut Pro X Fincher Style Part One

    Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. Read More
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