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The developers of KeyFlow Pro 2 have released seven new tutorials on how their MAM works. Of special interest to us is the integration with Final Cut Pro X and of course the Workflow Extension.

Today Apple has updated Final Cut Pro X to 10.4.6, Motion to 5.4.3 and Compressor to 4.4.4. Apart from converting incompatible media formats, this looks like a big set of bug fixes. iMovie gets an update too!

Somebody said that the news on the run-up to NAB was quiet. Not any more, two announcements today and the second is an upgrade for users of Frame.io.

It seems that Apple really is getting the new product announcements out before their big streaming event on the 25th. It has just announced a refresh with new processors and new GPUs for the iMacs. **New iMac Pro GPU and memory options**

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FINAL CUT PRO X & FILM PRODUCTION

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FCPX & MOTION TUTORIAL PICKS

  • Recreating the Rogue One Movie Title in Final Cut Pro X

    Recreating the Rogue One Movie Title in Final Cut Pro X

    The recent Fantastic Beasts tutorial from Dylan Higginbotham (owner of Stupid Raisins) was very popular. He's back with the task of recreating another movie title look. This time it's Rogue One from the Star Wars franchise. There is also a link to the free template! Read More
  • Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    Demystifying Final Cut Pro XMLs by Philip Hodgetts and Gregory Clarke

    XML is an acronym that gets used a lot in editing and the transfer of media in the FCPX ecosystem. But what exactly is XML?, how is it used and how can you begin to understand the power of the plain text language? Workflow experts Philip Hodgetts and Greg Clarke start with the basics of XML and explain all. Read More
  • War on Keyframes - Speed up Your Workflow in FCPX Now!

    War on Keyframes - Speed up Your Workflow in FCPX Now!

    Keyframes in video are as old as analogue Digital Video Effects (DVEs) from the 1980's. ADO Anybody? So as we lost 'tracks' in Final Cut Pro X to a better method way of working, can we also lose the dreaded keyframe as well? Tony Gallardo explores... Read More
  • Final Cut Pro X Fincher Style Part One

    Final Cut Pro X Fincher Style Part One

    Working out how to edit large camera media such as 6K in the correct resolution and aspect ratio for delivery can be a nightmare. Robin Moran has done the maths and has figured out how to keep the quality and flexibility up in FCPX when shooting overscan and cropping a centre extraction. Read More
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